Curio No. 76B

An example of how one work can start to generate other pieces. The process for the Curios is to start the pieces as classical ensembles, then play other parts against them. This is a transcription of bass parts I played against it. It's a "caboose" on the end of it in what is turning out to be jazz--all based on civil defense sirens playing a Bmaj7(#11), The next step is to improvise on bass against this in B Lydian, so it's a kind of Rifts on bass.