Lee Barry Composition (And Photo) Diary

  AI slop, but not bad.  Score

Juxtaposed lines: 8/23/1963, Friday  Single release, “She Loves You”.  8/23/1995  (Eno Diary)  New Oblique Strategy: “When is it for? Who is it for?” *** It's interesting that when I uploaded the riff Suno flagged it because "She loves you" was in it. Now with LLMs in the loop of music, a band can own words. I used "she loves you" in a riff and Suno flagged it. The Beatles now own those words such that you could be pulled over for using it in a conversation.  So why make anything, especially it it involves days or weeks of work? Why not just copyright a color ?   

    Curio No. 62A by meta4s

 

 I’ve always been restless and eclectic. I never really stick with one thing for very long. It’s not that I lose interest and never want to do it again; it’s just that there are too many other things to explore. You could say that it’s kind of impulsive and that I’m not thinking things through, but as an artist, I don’t think it would be very enjoyable or interesting to want to stick to one thing. There are artists who have only done one thing, and I admire their work. The artist I always cite is Peter Halley , who’s done essentially the same piece his entire career. I know lately he’s been doing other things, and there have been other singularly focused artists who have branched out. But I’m different because I do lots of different things and alternate between them, sometimes doing them all simultaneously. Over the past 5 or 10 years, I’ve kind of returned to skill, having spent quite a bit of time doing things that are more abstract and postmodern, which don’t involve a lot of sk...

    Black-out lyric idea: An example of how to use AI in the flow of composition, starting with a black-out lyric, generating the  music, then deriving another piece from the AI musical elements, in this case a classical piece.   The angular harmony is what interested me to want to reverse engineer this. AI music is terrible at harmonic invention, but sometimes you get these kinds of "happy accidents". I put that in quotes because I don't think they're either in this case: Firstly, because the harmony is sadly mysterious, and secondly, because I think AI-generated content isn't capable of generating them. The only way I see them happening is if they are synchronistic in some way, where it presents a solution in the moment in the flow of time, just as something happens at the moment of totality. It's obvious I was using a Pink Floyd vibe.

(Pictures of the TV)  

  Charles Sheeler - Industrial Study No. 2, 1935   8/19/2024  Abstracted lines from 8/19 diary entries: Function before form Start with a basic sound Think that they were art Looking at them close and far Roman or Egyptian art Brightly-colored African art Going back to nature Going back to the roots   ***  Orchestral:  8/19/2026 (AI Version):

8/18/1948 (Jack Kerouac Journal--paraphrased) Jack goes to New York with Tom, jazz club for bop, smoked pot, and pondered epigonism [an imitation of an artist by a subsequent generation], existence of “atomic disease”: “There is something definitely afoot, a madness, one not unlike the late Roman cult-madnesses.”                                   Run through AI: