Lee Barry Composition Diary

 Interstitial  

  Summer is a plain A plateau of life Everything in full bloom In the maximum light The sun made marks On a window sill The angle changed It caused a chill The summer leaves The flowers a clock Antipode to a country road On the other side of the year If you play a movie backwards It won't end up as it started It tells a different story To follow it is harder It's that time of year You notice the night A fading of light Disappearing from sight Take a turn With the calendar birds Hope to see you near On the other side of the year A time for reading novels Obscured by clouds Seasonal tales Never read aloud Tilt and rotation Light/dark shift Shadows of the day Shift and drift The summer leaves The flowers a clock Antipode to a country road On the other side of the year   ***  My pics: Speedo, Alibi, Vapor Cone

  Seed is the phrase " hunting ghosts in broad daylight", from this AI-generated diary entry by Thomas Sullivan, a fictitious character living in Chicago in 1886. So it goes from AI to human back to AI in the AI versions.   8/5/1886 I find myself hunting ghosts in broad daylight. Yesterday, wandering near where Miller’s store once stood, I searched for some trace of the black bunting from Lincoln’s mourning. Nothing. Glass and granite have consumed every landmark of my younger self. Time moves differently now—not the urgent acceleration I felt in ‘75, but a strange compression. Decades telescope into moments. I remember the weight of thirty years like yesterday’s coat, yet cannot recall what I ate for breakfast. AI Versions:

I still think AI music is in its talking head stage; we really don’t know what to do with it. It usually takes about 10 years for a new technology to get its sea legs. Eventually, lots of people will be using it legitimately, unless the courts decide otherwise. In the meantime, there's going to be a lot of smaller shifts that will increase the options, such as choosing keys and meters. If there was an option to create a song in 5/8 or 7/8 it would be interesting to see what it does with language. Would people generate prog? Perhaps. Would you subscribe to Rush AI for $50 a month?

  Cindy Sherman--Untitled #90 AI music gives you many options on what you can do with language. You'd never get a singer who would be willing to sing a lyric that was just a hold menu, and do it in 6 languages, including Esperanto.  Now that so many people are using AI-generators, the possibility of the same music accompanying different lyrics is more probable. So you have to attempt something different.  (The second verses switch languages: English in Spanish, Spanish in French, French in German, German in Italian, Italian in Esperanto)

 

It's at this time of year that you begin noticing a change in the light. In the Northern Hemisphere, the mornings are darkening and twilight comes earlier. Summer is a "plain" or "plateau" of anticipation: everything is in full bloom, and the leaves won't be changing for another 2 months, the days begin to get perceptibly shorter towards the end of July. But in March, there's an anticipation of Spring, and by the end of May, the anticipation of summer. September is a feeling of heading back down the hill.   Changing of Light, Sun, and Moon 0179: Compares poetry to the moon rather than the sun , as it " reflects light rather than shines directly " . 0352: States that " Light never ages; it just travels farther " . 0522: Reflects on the " earthrise " captured during the 1969 moon landing as a compelling moment of perspective . 0570: Observes that looking at the sun makes one realize it is the force that " created yo...

  Sunken Bridge by RO&AD Worth re-posting. I haven't tested the links so some may be dead.   7/30/2011 At the theoretical level, song hooks are imbued with clever twists like harmonic modulations, chord 'borrowing' and turnarounds. Now these devices have devolved from the songwriter's toolkit in much the same way Cole Porter Moon-June rhyming schemes became obsolete by the 1960s in favor of new compositional devices that made them frumpy and old hat. The classic bridge is now in this category. Nonetheless I still love to put them in songs. Bridges (sometimes used synonymously with middle-eight ) are difficult to do well because not any musical transition can qualify as a bridge device. They typically appear only once in a composition: If a section is repeated, it technically is not a bridge. Some regard the "life is very short..." phrase in the Beatles' "We Can Work It Out" or the "why she had to go..." phrase in "Yesterday...

It's interesting to trace the evolution of a piece of music born 32 years ago, from the acoustic version to an AI  interpretation in 2026.  ***  In the eyes of a child The reflection of a mother's care Father so silent Yet so heartfully there A country's border There to keep out the danger There to cast out the strangers That storm the gates of heaven When there comes a time A babe needs your hand Open your arms and then Give them your land When they've come to conquer Your fortress so lame Infants will scream louder 'Til the bedside she came A light shines from her window Silhouette dance with impassioned grace We all seek the comfort In the bosom of her border Like war-weary men Their desire like the battlefield Are drawn into her light The salve to soothe their pain *** Ladies full-throttled Packaged and bottled For love we coddle In the babe's lonesome room Sweet handmaiden waddle Nightingale Street toddle Bedside manner lens Its eyes never staid Visions an...