Lee Barry Composition (And Photo) Diary

Technology is always a part of the flow. (Once you have a skill and you've used it for decades you can always hop back on the bike, unlike many things we have done with computers. You can learn software, but the software is always requiring updating your knowledge of its new functions. If you want to develop skill for a lifetime, choose the more manual skills that don't involve tools that are always changing. Even new power tools will get in the way if using your manual skill because you have to stop and devote attention to them. I have yet to learn the Dorico software which replaced Finale. If for some reason Finale stopped working I could still continue writing manually, but it would be going back to the stone age, and I'd have to trade my creative time with software training. So the happy medium is to have just enough skill with a range of new and old tools. Most artists need some kind of handicap assistance. AI is another tool that assists, just as MIDI did for me in th...

 

  Stills of Strange Days (1995) and Metropolis *** AI Gens:  Seed:  

 

  Hans Namath photo of Jackson Pollock over Rubens' The Death of Decius Mus   AI Gens:

 It's amazing what you can do with just a rap into a phone with just a scribbled idea.                                        

A jazz head comprised of altered V-I cadences moving up in 4ths, using the raised 4th/11th as the altered note. They can be played as polychords (A/G, D/C, etc.) in a group situation, where the keyboards play the bottom triad and guitars play the top triad. Chord scales would be Lydian and Lyxian (a hybrid of Lydian and Mixolydian), or pentatonics.  Play at Musecore AI version, almost how it would sound with horns, I can't attest if it's following the changes, but the piece is such that attempting to play it might sound interesting, focusing on the what's in front of the slash, while the bass plays what's behind it--maybe the fifth

The Babylonian Marriage Market -- Edwin Long + Still from the Babylon film   Seed:   

 

  A cheesy cutout album you found for 50 cents recorded circa 1973. Amazing that a drummer finally was able to play it.