5/11/2016

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Conundra

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Every so often I'll compose etudes for myself based on repeating cycles. It can be practiced on any instrument and consists playing over a pair of chord changes a tritone apart, then proceeding up in fourths (or down in fifths). Each chord has a set of chord scales that can be played over them, and you can play one type across then all, e.g. the Phrygian mode going down in major thirds, or simply playing arpeggios, or mixing it up in different ways. 
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10/25/2026

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0256. Be careful that a planned trajectory does not circle back to where you started. Without bold acts of will, things will naturally default to the basic shapes and characteristics of the universe, circular shapes, orbits, and routines. 
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30000 Years

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A remix of diary entries from my 11/10 diary 1998-current transformed into a lyric using a text randomizer. This isn't AI, but it's like AI in the sense that you are using an algorithm. But instead of using a pre-made one you make one of your own, which is ultimately more fun and interesting. You can use the constraints but you can change them as well. This is essentially a cut-up technique. Using the natural rhythms in the words, "get the thing" created the main motif.       The main chorus riff is 30000 Year s, with this rhythmic motif:        Get the thing Everything Rapidly Love the thing Started abandoning Hoping it was the thing 
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September 1sts

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In September, the summer leaves.                     9/1/1997             Pillow Book at Village Theater. Excellent. Story of the power of Japanese calligraphy to drive erotic fantasy and obsession. Interesting bit on keeping diaries. [When composer Gavin Bryars was told he was "beginning to sound more and more like Peter Greenaway," Bryars apologized, acknowledging that he "can get quite obsessive" and that his work at times could be "cryptic" and require every single note to be justified. Bryars suggested that he eventually found a "middle ground" beyond this approach.] Source: Music Articles and Book Excerpts   9/1/2020 Emotions rely on our ability to surf over them. It's something that we have to do intuitively, and there are no shortcuts to getting there. This is where music has spiritual and philosophical elements. Expressiveness can arise (or must arise, because of he nature of the instrume...
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