10/26/2025

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 A New Way To Look At Architecture For the 2020s


 

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September 30ths

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9/30/1997             Roy Lichtenstein died. His use of ads, cartoons, etc. is similar to using samples in music. Music is really mimicking what happens in the art world, but with a long lag time.     9/30/1998             Surfed the Net on collaborative information filtering idea. Lots of great links: The Game of Life, the “Serendip” page. Must revisit.  [9/30/2024: This was the beginning of what we now know as simply an “algorithm”—the black box that defines the world we experience online, and now in life in general because it is recommending our relationships and how we navigate them. It has not been good for society or democracy because it is about collectivism as opposed to community. Viktor Frankl: “Only the community can ensure the meaning of individuality for the individuals…only the safeguarding of individuality for the individuals can ensure the meaning of community. This is what distingu...
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January 2nds

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1/2/2005 They’re razing the old Sun-Times building in the Loop, and when I pass by it I always tune into the sound of jackhammers echoing through the empty space. [Now site of Trump Tower]                Ambient Audio: [1/2/2025: Little did we know how that eponymous tower would represent the end of American democracy as we knew it. Perhaps it was always fragile and we naively thought, even after 9/11, that it would be razed].      1/2/2007 Projects for 2007: Music For Places, Highway Cinema.  [1/2/2026: Resolutions actually do work, but it can take sometimes a decade to see the results. What's important are "seeds"]  1/2/2012             James Howard Kunstler’s prediction/forecast:             “Vlad Putin has held things together there impressively after the meltdown of the 1990s, but apparently the tranquil veneer is thin. Except for two big citie...
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Be Bach (AI Version)

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Typically I would have transcribed a sax solo and attempt to play it on the bass. In this case I paraphrased a Bach Partita in a Be Bop style and for the bass, but this is a sax version of the head played on the bass.   
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I have always worked combinatorially, i.e., each creative act is somehow connected to others, either spontaneously (when I am aware of them) or later when I associate them with existing works. This works the same for my music as well as art projects. I also have always kept lists of ideas, titles, strategies, and so on, which I go back to very often. Electronic notebooks, such as Evernote have made this easier (perhaps too easy), but I used to keep paper journals and sketchbooks. There are two basic ways to add cohesion to creativity: 1) create the work then serialize; 2) create similar pieces in an existing series. This also works in music where you can compose first, then add to a collection (album) or define the framework for the album and fill it in accordingly. I don’t think there’s anything that I do, either through design methodologies, or through improvisation that doesn’t fit with something I’ve done before. I know there are some artists who like to make something they’ve neve...
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