8/31/2019

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 Weese-Gang (Swisotel and Aqua Tower):



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January 2nds

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Strategy Deck Songwriting Strategy Deck Twelve Cards, One Draw A fresh set of constraints pulled from thirteen suits — abstraction, arrangement, harmony, rhythm and more. Deal a new hand any time. Regenerate Save Draw #1 13 suits · one strategy per card · one suit sits out each round to keep the hand fresh " >
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  Sunken Bridge by RO&AD Worth re-posting. I haven't tested the links so some may be dead.   7/30/2011 At the theoretical level, song hooks are imbued with clever twists like harmonic modulations, chord 'borrowing' and turnarounds. Now these devices have devolved from the songwriter's toolkit in much the same way Cole Porter Moon-June rhyming schemes became obsolete by the 1960s in favor of new compositional devices that made them frumpy and old hat. The classic bridge is now in this category. Nonetheless I still love to put them in songs. Bridges (sometimes used synonymously with middle-eight ) are difficult to do well because not any musical transition can qualify as a bridge device. They typically appear only once in a composition: If a section is repeated, it technically is not a bridge. Some regard the "life is very short..." phrase in the Beatles' "We Can Work It Out" or the "why she had to go..." phrase in "Yesterday...
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An interesting exercise is to take an existing melody (as I did with the Bach cello suite) and map it over another rhythm. You can compose your own or use an existing one. With Be Bach I used the sequence of notes in the Suite and mapped it over a bop rhythm that I composed. After the melody was done I added chord changes. (Someone should write a program that will do this automatically.) Here is the source Bach cello Suite:      A more recent video:   Using isorhythm in a bass line:   
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