Music As a Visual Art
In the late 20th century, (post-1965) pop music gradually became more of a collage art, with appropriated pieces quickly assembled and placed in ironic contexts and juxtapositions (techniques borrowed from the visual arts). Whereas craft was more of a cornerstone of the creation of works of art, someone got the idea that art should also have cleverness, or what I have sometimes referred to as the "fourth dimension" of art, i.e. the ideas suffused in the art, but not always reflected in the surface.
Today, the quintessential definition of a true composer of music is one who can collage together loops, sound samples and readymade textures, not melodies, chords and rhythms. The true suffering for one's art is not by these noble means, but rather by prefabbed concoctions, or found sounds snatched by license set forth by the Creative Commons. While it is a nice idea that we can share-alike, the upshot is that the average listener attributes what they hear as being created by one person (f/k/a The Composer), when in fact it is a collage like one would make from magazine clippings, or paintings made in under an hour. Some artists actually make brilliant work very quickly. If all you do is make art quickly, people will tire of it. It needs continual contextualization.
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