Cloud Dictionary (7/4 Etude)

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Cloud Dictionary (7/4 Etude) by meta4s

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January 2nds

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9/30/1997             Roy Lichtenstein died. His use of ads, cartoons, etc. is similar to using samples in music. Music is really mimicking what happens in the art world, but with a long lag time.     9/30/1998             Surfed the Net on collaborative information filtering idea. Lots of great links: The Game of Life, the “Serendip” page. Must revisit.  [9/30/2024: This was the beginning of what we now know as simply an “algorithm”—the black box that defines the world we experience online, and now in life in general because it is recommending our relationships and how we navigate them. It has not been good for society or democracy because it is about collectivism as opposed to community. Viktor Frankl: “Only the community can ensure the meaning of individuality for the individuals…only the safeguarding of individuality for the individuals can ensure the meaning of community. This is what distingu...
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Songs With Bridges

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  Sunken Bridge by RO&AD Worth re-posting. I haven't tested the links so some may be dead.   7/30/2011 At the theoretical level, song hooks are imbued with clever twists like harmonic modulations, chord 'borrowing' and turnarounds. Now these devices have devolved from the songwriter's toolkit in much the same way Cole Porter Moon-June rhyming schemes became obsolete by the 1960s in favor of new compositional devices that made them frumpy and old hat. The classic bridge is now in this category. Nonetheless I still love to put them in songs. Bridges (sometimes used synonymously with middle-eight ) are difficult to do well because not any musical transition can qualify as a bridge device. They typically appear only once in a composition: If a section is repeated, it technically is not a bridge. Some regard the "life is very short..." phrase in the Beatles' "We Can Work It Out" or the "why she had to go..." phrase in "Yesterday...
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An interesting exercise is to take an existing melody (as I did with the Bach cello suite) and map it over another rhythm. You can compose your own or use an existing one. With Be Bach I used the sequence of notes in the Suite and mapped it over a bop rhythm that I composed. After the melody was done I added chord changes. (Someone should write a program that will do this automatically.) Here is the source Bach cello Suite:      A more recent video:   Using isorhythm in a bass line:   
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