October 24ths
10/24/1944
[Norman Lewis - Naples 44]
The FSO called me in this morning to say that yesterday's great fiasco was the result of a carefully organized plot, designed to cause the maximum disruption to the life of the city. A young German soldier named Sauro had volunteered to stay behind when the troops pulled out and then as soon as the [bombed] buildings started to go out, to turn himself in with this story of the whole of the town having been [bombed].
10/24/1997, Friday
Went to free jazz concert. I found it completely boring and pointless. Playing free jazz improvs is 40 years behind the times. One of the reasons people played free jazz was to be ahead of the times! Free jazz was also a rebellion in its time. Why rebel against something (jazz) that has no real bearing on pop culture?
[10/24/2025: Relevance in art is something that’s always shifting. What I’ve noticed about the shifts in the 2020s is that art has less relevance generally because people are in complete survival mode and are always scanning for threats, so there’s no time to be making art, compared to 60 years ago. Now you have to force people to look at things because there is a lack of general relevance. To the extent that free jazz is still performed, it has to exist in the world of the smartphone and social media, which kills its original essence. People might attend events as a “journalist”, only reporting on the event for a social media story rather than absorbing the art].
10/24/2011
Who You Are remix of “Omens On My Side”. Voice is of Elisis Livingston of the Shambala retreat in Glastonbury. She was a subject in the documentary by Richard Dawkins titled ‘Enemies of Reason (Part 2)’ Remix to feature her voice. It is more of a parody than a tribute to her spiritual vision, but there is a certain power in her voice in context with the music, and I like how one affects the other.
This was also used in a Photographs For Music video as well. (It is essentially one of the CONTINUA-TIONS]
10/24/2020, Saturday
Patti Smith’s book: Photo with Christopher Maria Schlingensief in Venice at the home of Marco Polo. “He was a life force, and artist, activist, director, and filmmaker. Of his death shortly before his 50th birthday, Elfriede Jelinek wrote, “I always thought someone like him cannot die. It is as if life itself had died.”
10/24/2024
Art can be the most powerful after the fact when you can entertain regrets, and it becomes unsettling when you hear about what happened. A documentary that comes to mind is Patricio Guzmán’s Cordillera of Dreams about the aftermath of the military coup in Chile on September 11, 1973. (Just the irony of the date is unnerving). When I saw it in 2020 it was galvanizing because I saw how it could happen in the US, in many of the same ways: kidnappings, torture, the Disappeared. Why would anyone in their right mind entertain the notion that it’s what is needed in the US? I think it is partly because of the disaster movie, which so far has been kept behind the fourth wall. America is every kind of movie, but that it is “only a movie” is no longer true: we are all in the movie–which stands to reason given our obsession with celebrity.
10/24/2025Given all the possible sounds that can be made by a vocal apparatus, lots of them can become musical if you make that the focus. Music is something that we notice, just as photographers might see things others don't, simply because they have an interest in cameras. When we're in System 2 mode, we are more in notice mode--as opposed to not allowing ourselves to see things. To have a "good eye" or a "good ear" might have something to do with System 2, although those things can be instinctual (System 1). In terms of say Neanderthals being musical, they must have noticed that the sounds they were making had a patternicity to them. Young Neanderthal children at age 8 might have discovered that patternicity just as we do--and it is instinctual (System 1).

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